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温州58岁刑警出差期间因公牺牲：从警34年，奉献半辈子_我的网站

A |     1月7日，浙江省温州市公安局鹿城分局民警徐忆东，在出差办案过程中突发疾病，因公牺牲，享年58岁。1月6日傍晚，徐忆东带着背包，出发去上海协助同事办理一起案件。    

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。和以往一样，他往背包里装了几件换洗衣服、胃药和两个白馒头。

B | 到达上海时，已是7日的凌晨时分，匆匆在旅馆住下后，徐忆东习惯性在微信上给妻子报了平安，便睡下了。一大早，同事郑威特发现徐忆东电话一直打不通，敲门也没有回应。便急忙叫来工作人员打开房门。一掀开被子，发现徐忆东的身体冰冷。经紧急送医抢救无效，58岁的老刑警徐忆东在睡梦中离开了。出差常带馒头，认为是最扎实的“干粮”“每次出差，他习惯带上馒头，可以简单解决一餐。”“老搭档”郑威特说。不知情的同事曾调侃他“太节俭了”。

C | 但徐忆东心里清楚，押送全程，他们不能离开嫌疑人，即使轮流去吃饭也可能有风险。对他来说，两个风干的馒头和几片胃药能让自己状态稳定，是最扎实的“干粮”。有一年，为了尽快调取一起案件的关键证据，脚伤还未痊愈的徐忆东揣着几个馒头坐大巴赶去江西。

D | 当地正遭遇洪灾，徐忆东和同事一路颠簸、绕道、等待，饿了就啃馒头，近20个小时才到达目的地。两天后，当队里同事上班时，发现徐忆东已经在单位整理证据。“忆东大哥总是这样雷厉风行。

E | ”刑警张翔说，徐忆东的速度和效率让很多年轻人自叹不如。34年老刑警，一干就是半辈子1990年从温州警校毕业后，徐忆东如愿成为鹿城公安刑侦大队的一员，这一干，就是大半辈子。“这两年队里照顾他的年纪，没有安排他主办案子，早几年几乎每一个勘察现场他都在。”曾和徐忆东共事的民警叶志东对他很是佩服。勘察现场枯燥费时，而且高负荷、连续作战、随时直面残酷现场环境，最后还不“出名”。可是徐忆东总干得有滋有味，他能精准把握案发现场的细节，通过蛛丝马迹固化可靠证据，为队友找到侦查方向。“案件现场，他冲得上去，结案后他又最能沉得下来。”叶志东记得，徐忆东还负责对全局刑事案件受立案和破案数据进行手写统计。老同事杨枫记忆里的徐忆东，很少站在聚光灯下。“案件里面看不到他，但是又少不了他。”2010年，徐忆东调任到刑侦大队七中队工作，负责情报线索搜集。那是他的职业生涯中经历的高光时刻。长相老实但群众能力突出的徐忆东，总能从小摊小贩、附近居民那里问出案件的蛛丝马迹，并通过研判，形成有效情报。

F | 凭借他的“独门秘籍”，他先后参与侦破了“2007年在市区开面包车抢劫女性团伙”等一批大案要案。出差执行任务时，徐忆东会跟嫌疑人聊天，从聊家常到攻破心理防线，在回温审讯之前，徐忆东已对情况了如指掌。图源：平安鹿城一身警服，一生警察1月8日晚上7时许，大哥徐忆南在殡仪馆一边料理弟弟的后事，一边喃喃自语道：“我这个弟弟，是把警队当家了。”亲戚眼中的徐忆东，经常缺席家族的聚会，一问，不是要值班就是要出差，还总帮同事“顶班”。家里人开始也不理解。

G | 徐忆东有一次吐露了心声。在从警之初，徐忆东的老师——时任鹿城刑侦大队大队长柳春生就是这样，除了教他办案的经验，还会在他办案时帮着打理值班工作，把案件文书都打印好，这一件件小事让徐忆东一直记在心里，也深深影响着他。“这是我们鹿城刑警的传统，我不能丢了它。”徐忆南回忆，弟弟曾这样说起。随着时代进步，侦查模式也在不断迭代，徐忆东在年轻的“后浪”中显得也不那么“厉害”了。“年轻刑警在工作、家庭方面压力都挺大，我一个老头平时比较空闲，能帮一些是一些，尽量减轻他们的负担。”因为总是主动值班，同事们每次推开刑侦大队的大门，总会看见徐忆东的笑脸。“早饭吃了吗？”“今天记得早点下班……”一声声叮咛，温暖着年轻一辈。“我还记得跟忆东老师的最后一次搭档值班，那天我手上的材料特别多，总是往楼上跑，他一个人在接待岗位顶着。

H | 那天值班结束，我还开玩笑说，这么忙，以后他都不愿意跟我搭班了，没想到，真的再也没有下一次了……”同事曹莲夏哽咽着说。

I | 图源：平安鹿城一身警服，一生警察。老刑警的炙热人生，没有波澜壮阔，却扎扎实实、默默奉献。在1月8日举行的“无悔铸忠诚”浙江公安英模先进事迹报告会上，鹿城刑侦大队教导员周扬说：“也许我们将慢慢老去，不再年轻，但守护百姓的平安是我们永远的使命和职责！”澎湃新闻记者 朱敏骏 实习生 赵景彦 通讯员 范涨(本文来自澎湃新闻，更多原创资讯请下载“澎湃新闻”APP)。

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Published on:22:54:07